Birthday blur #1 #leeds (at HG)

rmutt-blog:

In his sculptures and installations, Korean artist Do-Ho Suh makes subtle critiques of militarization, in contrast to the fragile values of domesticity. In Floor (1997-2001) we find ourselves walking across a thick glass floor that is supported by thousands of tiny figurines, their mottled uniforms looking like grass, their arms raised as if to worship a leader—or to escape their crushing confinement. 
Source- Contemporary Art World Currents, By: Terry Smith
rmutt-blog:

In his sculptures and installations, Korean artist Do-Ho Suh makes subtle critiques of militarization, in contrast to the fragile values of domesticity. In Floor (1997-2001) we find ourselves walking across a thick glass floor that is supported by thousands of tiny figurines, their mottled uniforms looking like grass, their arms raised as if to worship a leader—or to escape their crushing confinement. 
Source- Contemporary Art World Currents, By: Terry Smith
rmutt-blog:

In his sculptures and installations, Korean artist Do-Ho Suh makes subtle critiques of militarization, in contrast to the fragile values of domesticity. In Floor (1997-2001) we find ourselves walking across a thick glass floor that is supported by thousands of tiny figurines, their mottled uniforms looking like grass, their arms raised as if to worship a leader—or to escape their crushing confinement. 
Source- Contemporary Art World Currents, By: Terry Smith
rmutt-blog:

In his sculptures and installations, Korean artist Do-Ho Suh makes subtle critiques of militarization, in contrast to the fragile values of domesticity. In Floor (1997-2001) we find ourselves walking across a thick glass floor that is supported by thousands of tiny figurines, their mottled uniforms looking like grass, their arms raised as if to worship a leader—or to escape their crushing confinement. 
Source- Contemporary Art World Currents, By: Terry Smith

rmutt-blog:

In his sculptures and installations, Korean artist Do-Ho Suh makes subtle critiques of militarization, in contrast to the fragile values of domesticity. In Floor (1997-2001) we find ourselves walking across a thick glass floor that is supported by thousands of tiny figurines, their mottled uniforms looking like grass, their arms raised as if to worship a leader—or to escape their crushing confinement. 

Source- Contemporary Art World Currents, By: Terry Smith

(Source: madebyabvh)

artchipel:

Benoit Jammes (France) - [o-o]
Benoit Jammes is a French graphic designer and photographer living and working in Paris. With his [o-o], a series of cassette relooking, he gives life back to vintage tapes by making references to pop culture: “It so happened that I found a bunch of old cassettes at home. Seeing them brought me back to the 80s, when I was a kid. In any case, I could not play them any more. Resurrecting them sounded a good idea for me. It was sound, it became visual… and I am pretty sure they are happier now than in a shoebox :-) I think people from my generation would relate to this series of work and would be happy to see these old cassette tapes managed to start a new life!” 
View the full set on artist’s Facebook or Flickr. © All images courtesy the artist
[more Benoit Jammes]
artchipel:

Benoit Jammes (France) - [o-o]
Benoit Jammes is a French graphic designer and photographer living and working in Paris. With his [o-o], a series of cassette relooking, he gives life back to vintage tapes by making references to pop culture: “It so happened that I found a bunch of old cassettes at home. Seeing them brought me back to the 80s, when I was a kid. In any case, I could not play them any more. Resurrecting them sounded a good idea for me. It was sound, it became visual… and I am pretty sure they are happier now than in a shoebox :-) I think people from my generation would relate to this series of work and would be happy to see these old cassette tapes managed to start a new life!” 
View the full set on artist’s Facebook or Flickr. © All images courtesy the artist
[more Benoit Jammes]
artchipel:

Benoit Jammes (France) - [o-o]
Benoit Jammes is a French graphic designer and photographer living and working in Paris. With his [o-o], a series of cassette relooking, he gives life back to vintage tapes by making references to pop culture: “It so happened that I found a bunch of old cassettes at home. Seeing them brought me back to the 80s, when I was a kid. In any case, I could not play them any more. Resurrecting them sounded a good idea for me. It was sound, it became visual… and I am pretty sure they are happier now than in a shoebox :-) I think people from my generation would relate to this series of work and would be happy to see these old cassette tapes managed to start a new life!” 
View the full set on artist’s Facebook or Flickr. © All images courtesy the artist
[more Benoit Jammes]
artchipel:

Benoit Jammes (France) - [o-o]
Benoit Jammes is a French graphic designer and photographer living and working in Paris. With his [o-o], a series of cassette relooking, he gives life back to vintage tapes by making references to pop culture: “It so happened that I found a bunch of old cassettes at home. Seeing them brought me back to the 80s, when I was a kid. In any case, I could not play them any more. Resurrecting them sounded a good idea for me. It was sound, it became visual… and I am pretty sure they are happier now than in a shoebox :-) I think people from my generation would relate to this series of work and would be happy to see these old cassette tapes managed to start a new life!” 
View the full set on artist’s Facebook or Flickr. © All images courtesy the artist
[more Benoit Jammes]

artchipel:

Benoit Jammes (France) - [o-o]

Benoit Jammes is a French graphic designer and photographer living and working in Paris. With his [o-o], a series of cassette relooking, he gives life back to vintage tapes by making references to pop culture: “It so happened that I found a bunch of old cassettes at home. Seeing them brought me back to the 80s, when I was a kid. In any case, I could not play them any more. Resurrecting them sounded a good idea for me. It was sound, it became visual… and I am pretty sure they are happier now than in a shoebox :-) I think people from my generation would relate to this series of work and would be happy to see these old cassette tapes managed to start a new life!”

View the full set on artist’s Facebook or Flickr. © All images courtesy the artist

[more Benoit Jammes]

mymodernmet:

Renowned Chinese artist and political dissident Ai Weiwei has just launched his largest solo exhibition to date, called Evidence, in Berlin’s Martin-Gropius-Bau. The show is expansive, sprawling across 3,000 square meters and 18 rooms. The centerpiece of the exhibit is an installation called Stools, which features a staggering number of 6,000 wooden stools arranged in the atrium.
Evidence will be on display from April 3 to July 7.
mymodernmet:

Renowned Chinese artist and political dissident Ai Weiwei has just launched his largest solo exhibition to date, called Evidence, in Berlin’s Martin-Gropius-Bau. The show is expansive, sprawling across 3,000 square meters and 18 rooms. The centerpiece of the exhibit is an installation called Stools, which features a staggering number of 6,000 wooden stools arranged in the atrium.
Evidence will be on display from April 3 to July 7.
mymodernmet:

Renowned Chinese artist and political dissident Ai Weiwei has just launched his largest solo exhibition to date, called Evidence, in Berlin’s Martin-Gropius-Bau. The show is expansive, sprawling across 3,000 square meters and 18 rooms. The centerpiece of the exhibit is an installation called Stools, which features a staggering number of 6,000 wooden stools arranged in the atrium.
Evidence will be on display from April 3 to July 7.
mymodernmet:

Renowned Chinese artist and political dissident Ai Weiwei has just launched his largest solo exhibition to date, called Evidence, in Berlin’s Martin-Gropius-Bau. The show is expansive, sprawling across 3,000 square meters and 18 rooms. The centerpiece of the exhibit is an installation called Stools, which features a staggering number of 6,000 wooden stools arranged in the atrium.
Evidence will be on display from April 3 to July 7.
mymodernmet:

Renowned Chinese artist and political dissident Ai Weiwei has just launched his largest solo exhibition to date, called Evidence, in Berlin’s Martin-Gropius-Bau. The show is expansive, sprawling across 3,000 square meters and 18 rooms. The centerpiece of the exhibit is an installation called Stools, which features a staggering number of 6,000 wooden stools arranged in the atrium.
Evidence will be on display from April 3 to July 7.
mymodernmet:

Renowned Chinese artist and political dissident Ai Weiwei has just launched his largest solo exhibition to date, called Evidence, in Berlin’s Martin-Gropius-Bau. The show is expansive, sprawling across 3,000 square meters and 18 rooms. The centerpiece of the exhibit is an installation called Stools, which features a staggering number of 6,000 wooden stools arranged in the atrium.
Evidence will be on display from April 3 to July 7.
mymodernmet:

Renowned Chinese artist and political dissident Ai Weiwei has just launched his largest solo exhibition to date, called Evidence, in Berlin’s Martin-Gropius-Bau. The show is expansive, sprawling across 3,000 square meters and 18 rooms. The centerpiece of the exhibit is an installation called Stools, which features a staggering number of 6,000 wooden stools arranged in the atrium.
Evidence will be on display from April 3 to July 7.

mymodernmet:

Renowned Chinese artist and political dissident Ai Weiwei has just launched his largest solo exhibition to date, called Evidence, in Berlin’s Martin-Gropius-Bau. The show is expansive, sprawling across 3,000 square meters and 18 rooms. The centerpiece of the exhibit is an installation called Stools, which features a staggering number of 6,000 wooden stools arranged in the atrium.

Evidence will be on display from April 3 to July 7.

I was so much older then. Parts 1 & 2.

  1. Camera: Hipstamatic Oggl
  2. Aperture: f/2.4
  3. Exposure: 1/24th
  4. Focal Length: 3mm
skunkbear:

The Gigantic Peanut In The Sky
This is an artist’s representation of the largest yellow star ever found. It is more than 1,300 times larger than the Sun and it is rapidly getting even larger. According to the study leader, Olivier Chesneau:

The two stars are so close that they touch and the whole system resembles a gigantic peanut.

The double star’s boring official name is HR 5171, but I propose we call it The Great Sky Peanut.  Even though it is 12,000 light-years from earth, a keen sighted person could see it on a dark night, twinkling in the constellation Centaurus.
This representation was made by the European Southern Observatory (hat tip to NPR’s Geoff Brumfiel for sending it my way). You can read more about the star here.
Image credit: ESO/Digitized Sky Survey 2

skunkbear:

The Gigantic Peanut In The Sky

This is an artist’s representation of the largest yellow star ever found. It is more than 1,300 times larger than the Sun and it is rapidly getting even larger. According to the study leader, Olivier Chesneau:

The two stars are so close that they touch and the whole system resembles a gigantic peanut.

The double star’s boring official name is HR 5171, but I propose we call it The Great Sky Peanut.  Even though it is 12,000 light-years from earth, a keen sighted person could see it on a dark night, twinkling in the constellation Centaurus.

This representation was made by the European Southern Observatory (hat tip to NPR’s Geoff Brumfiel for sending it my way). You can read more about the star here.

Image credit: ESO/Digitized Sky Survey 2

dvdp:

140304 

dvdp:

140304 

Gifts & tings. #Leeds